To Whom It May Concern:

3

It’s been a minute since I’ve posted on G&D. It pains me, it is my child. That being said I’ll get straight to the point:

I’m going on vacation. I can’t devote the proper amount of attention to this site, MOD or my writing right now. As most of you know I’ve been in a writing slump for quite some time–and I guess I was hoping maybe it would lift in time for the new year and I would have a ton of new content for G&D, new submissions, new jet sets…but it just isn’t happening that way. So I’m taking six months to recalculate, reacquaint myself with my muse, re-launch and revive. The guilt that overwhelmed me when G&D went without updates finally came to a head when I realized I needed to take a step back and give myself room, without detailing every bit in G&D posts–this is not a diary, it’s a description of artistic faith, after all.

It’s been fairly quiet on the music front in my neck of the woods, I’ve yet to complete a single submission so far this year and MOD, as of right now, is effectively suspended until further notice. My book will still be available but as for the rest of it I don’t have the energy or frankly the desire right now to do a full-scale launch. I once had a very specific dream of what I wanted to be creatively and publicly. Now I’m not sure where that dream lies. Consider this a pilgrimage to find out where it went.

I guess to be fair I could say that I have an entire book’s worth of work in a little green folder next to my computer. It was written during a few of the most dire months of my life last year. It needs editing, focus. One day it’ll come out but I’m just not excited enough to chronicle it here right now. I guess I should say it’s not that I DON’T write, I’m just not excited about anything, there’s no passion. I can’t keep promising and not delivering. It sort of ruins my credibility.

So, to whom it may concern, I thank you, but I’m checking out for a minute. Keep creating, keep believing. I’ll catch up with you soon enough.

Happy Birthday, Gossip & the Devil.

"Artists must be sacrificed to their art. Like bees, they must put their lives into the sting they give." - Ralph Waldo Emerson

A Postcard from Hopeless Beach hanging in my office. "Artists must be sacrificed to their art. Like bees, they must put their lives into the sting they give." - Ralph Waldo Emerson (Sets for sale soon at modernorphandesigns.com)

Years ago I was going to help a girl friend write a book. We talked about it often between 2005 – 2008 and I was extremely excited. For a while in 2005 I identified myself as “the co-author of x’s pending book.” It filled me with accomplishment, desire and a drive to succeed. Numerous people could potentially read this book and the idea of nourishing not only a friend but my creative child was lucrative.

Needless to say it never happened despite many promises, plans and proclamations that I was the “perfect person for the job.” (Oh how my praises were sang from the balconies!) For a brief moment I didn’t know how to come to terms with this, but then it all seemed to fade away.

When you define yourself by someone else you glean nothing of yourself. When you place that burden upon your head you automatically become heavy with a needless weight.

Today I’ve released my first book (before she has), have a pending merchandise line and have signed my first national publishing contract. I’ve started to gain my own recognition, pay my dues and carve my own niche on the surface of the Earth. Before I was too ignorant to believe in myself by my own merits and it hurt me for many years. That wasn’t her fault and it wasn’t mine. I just didn’t know better. After the abrupt dissolution of the potential book deal I slowly regained my bearings and started incorporating new ways of thinking about myself, my creativity and how they connect in my life.

Launching this site was the first step in that process.  A year ago Gossip [&] the Devil proper was born. I’ve conducted interviews with some of my favorite artists, people changing the game in the art world, written reviews and forged genuine ties across the globe. G[&]D has served as my main house for everything artistic and has virtually taken on a life of its own. That isn’t to say it came easy because I assure you, it didn’t and I will continue to fight for it until the end of G[&]D and on through the birth of something else. I believe in this, I believe in art, I believe in the belief of dreaming out loud, as gaudy and joyously as you can. I believe in experiencing every facet of life which is why you’ll find posts about pills, jetsets and regrets. About music, muses and musings on revenge. Those are some of MY facets, excavate some of yours. Sincerity is free, run through life with armfuls of it, with mouthfuls of honesty and always an ever educated eye on the mistakes of your past. Don’t give in and don’t define yourself by anyone else.

Found in the Red Line subway station, Chicago. "Broken pockets are / leaking poems on the ground / gather up the words." A haiku by a Columbia College student. (Columbia College has rejected me many times. One day though...)

Found in the Red Line subway station, Chicago. "Broken pockets are / leaking poems on the ground / gather up the words." A haiku by a Columbia College student. (Columbia College has rejected me many times. One day though...)

To help me celebrate my creative birthday, editor Larry Ziman, who you should by now know from The Great American Poetry Show, called me a few nights ago. (If all goes well, and all of the poets get their proofs back on time, Volume 2 will be released in June 2010.) We went over some technical stuff for “Voyeur” and discussed poetry vs. poems, how many bad poets get published with the help of bad editors and my potential status as a demimonde (demimonde = a woman on the outskirts of respectable society, usually with many rich and well-to-do benefactors). He said he’d never had someone as excited as I was/am to be published in TGAPS. I told him Pushcart Prize nominations aside, I worked my ass off to secure a spot in Volume 2, submitting 40+ submissions before ONE was finally taken.

In further celebration it has been a busy month for me personally on a number of levels. Namely the installation of my new job with I absolutely love and am extremely grateful for. It’s been a long time since I’ve got to put my juices to creative use at a place of employment and it feels refreshing to be able to do that again. My new employers are some of the nicest, kindest people I’ve ever had the pleasure of meeting and I think it’s no coincidence they came across at this point in my life when I needed some gentler guidance than I’d previously been getting. In fact some of the harshest violence was coming from myself, which was far from productive and likely contributed to some of the writer’s block I was experiencing.

One of the things hit hardest with this lack of creative flow has been the Billy series over at Troubadour 21. While it started out as a single piece of microfiction I somehow thought it’d be a great idea to morph it into an entire series. I’m not sad to say, but it’ll be coming to an end very soon as I’ve simply fallen out of love with the characters and the story, which represents a time in my life I’m trying to move past. I’d love to do another series one day as working with the short story editor Paquita Roth has been an absolute pleasure, but only after I’ve secured fresh characters and a desire to flesh them out over a series. For those of you still following, part IX, titled “Two Worlds Collide” has been posted here, with part X titled “Checkmate” to be posted soon after.

I think 2009 taught me about darkness more than anything. It was arguably one of the worst years of my life, though it brought me some wonderful things (my book, my collaboration with Natascha Artworx and the artists I’ve interviewed among them). People will leave you in life. They’ll love you and lie to you. You’ll do the same to someone else. You’ll regret. It’s part of the experience. You’ll wake up in the middle of the night and know what the darkness feels like, you’ll feel it seep into your very pores. You’ll step into the sunlight like it was your first time. You’ll make promises you will and won’t keep, many times to yourself. Take these things and DO something. That’s what I aim to continue to do in 2010.

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“if you’re going through hell, keep going.”

If you’re going through Hell, keep going.” – Winston Churchill

Things have been fairly infrequent around G [&] D as of late, and for that I apologize. It isn’t that there isn’t anything going on, it’s just overwhelming. We are still preparing the launch of Modern.Orphan.Designs. [M.O.D.], going through customer reviews of The Rough Chronicles of Bipolar Romance and working on my next TWO books. Couple that with a serious bout of writer’s block and depression it’s making my job a bit more difficult than usual. But, again, as Mr. Churchill once said: “Never, never, never give up.”

Sir Winston Churchill

Sir Winston Churchill

I’ve been working like mad on everything but G [&] D it seems and I know the site is suffering. I’m hoping by the new year content will be more frequent and this cursed dry spell will have been irrigated. My writing has taken another hit as well, in that I haven’t promoted the last FOUR installments of my Billy series [which needs a new title, for it might appear in a book one day...] and for that I also apologize. I know these apologies go over about as well as a pederast in the deep south, but I’m trying. Don’t fret, however, you can find the missing parts below:

Part V – The Introduction of Rose
Part VI – Nathaniel’s Exit
Part VII – The Last Mention of Nathaniel
Part VIII – Jetsetting and Jealousy

And in case you missed even more than that: Part IV and Parts I – III

Rehearsing before my poetry reading last month.

Rehearsing before my poetry reading last month.

My reading last month, according to those that were there, was a not-so-disappointing 8 out of 10 stars. I didn’t pr0ject enough, which I’ve always had issues with, and I read too fast, which again, I’ve had issues with since I started doing public readings in college. The poems seemed to go over well even if I had a shaky start, and by the end people were at least paying attention and I received a thunderous round of applause upon cessation. It’s about as much as a poet can ask for short of roses at their feet and perfumed water with which to decorate the crowd after bathing them in your immortal words.

In closing, I’d like to leave you with a song. It’s the Smashing Pumpkins’ brand new track “Song for a Son” from their upcoming album “Teargarden by Kaleidyscope” which will be released one song at a time until all 44 tracks (!!!) have been fulfilled. It is available here, for free, for you. It’s all I’ve been listening to as of late [check my last.fm] and the ONLY tour song I’ve ever asked Billy to record in the studio.

“This is a song for a sailor, the best I ever had, he sailed without a map.”

Put your maps away Orphans. Follow your heart instead.

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the art of :: reversal :: writer’s block techniques

The reversal technique is one of the more under utilized in trying to break away from writers block, likely because often you’re faced with a jibberish of words when you’re done. The art is simple, is there a poem or narrative you can’t quite bring to that break out level, is the language staying stale and dated? Take it and turn it upside down. Make the last line the first, and continue down the line. The last line of your new poem should be the title of your old poem. Make sense?

A poem called "Brown-Eyed Voodoo" Set in reverse.

A poem called "Brown-Eyed Voodoo" Set in reverse.

Now you can edit as you reverse, since some sentences aren’t going to make a bit of sense, but only lightly edit, try to leave the integrity of the exercise intact. We’ll look at a poem called “Brown-Eyed Voodoo” for as an example.

Read the rest of this entry »

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the art of :: cut [&] paste :: writer’s block techniques

Much like twin poems can help you when you’re in a slump, looking at a piece of work in a different light can help you as well. Lately I’ve taken to yet another age old teaching: the art of the cut and paste.

Basically in a cut and paste you do just that: you take your printed poem, cut each line out and tape them on a board or simple sheet of paper. Sometimes you can find sentences that don’t belong, or whole stanzas that need moved. Sometimes you lose a sentence and the poem changes entirely. I’ve found that this method works with visual arts as well. If you aren’t happy with a particular painting and don’t mind cutting it up, then try it. Dissect into a few pieces and re-arrange them. You’ll be surprised at what you find.

Sometimes the cut and paste can be simple, like so:

A cut and copy technique I used on an poem called "Dread."

A cut and copy technique I used on an poem called "Dread."

This is an upcoming poem entitled “Dread” that I had no clue what to do with. The language was boring, the images weren’t coming through and basically it made no sense. But I knew there was something in there. I was sick to death of staring at my computer screen. So I cut the whole thing up, re-arranged it, scrapped the entire last half and still can’t figure out exactly what it means, but now I’m a hell of a lot closer.

Sometimes the cut and paste can be a bit more colorful, like so:

From an upcoming poem entitled "Sleep"

From an upcoming poem entitled "Sleep"

Sometimes stepping away from your chosen medium can work wonders. Can’t find the right word? Paint a picture of what you want. Can’t find just the right angle to photograph that lovely boy who eats lunch in the courtyard every day? Then write a poem about how you want the light to hit his hands, face or legs. It can help and relieve your mind of the pressure to perform under its chosen duty.

Quickly, in other news, I have a new–and I mean brand new–piece up over at Troubadour 21 entitled “The Introduction of Rose – Part V.” Head over there and let me know what you think! The Billy series is one I always wanted to finish but could never produce the drive so, once again, thank you T21.

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G[&]D Virgins

If this is your first time visiting Gossip [&] the Devil, you will probably want to know: What Is A Modern Orphan?